The preoccupation with space is a central component in works by BEAT ZODERER (*1955 Zurich). From a formal perspective his non-representational works subtly analyse graphic, painterly and three-dimensional qualities, and in an ironic and playful manner question systems of order. The reference to constructivism and minimal art is thereby visible and pervaded by it; his humorous, cheerful works introduce a human element into rigid minimalism.

Russian constructivism is an art movement that evolved around 1913/14 and is based on the exclusive use of simple geometric forms and the acknowledgement of modern technology. Alexander Rodchenko (1891–1956), co-founder of constructivism, analyses in his works, as does BEAT ZODERER, questions of the transition from the surface to space. The use of ‘poor’ materials not related to art is something that he and the Swiss artist have in common. In the only sculpture in the exhibition, Zack No. 1, varnished wood is used, which at frst glance suggests aluminium. In preparation for the exhibition Toni Stooss writes, “the sparkling sculpture efectively brings to mind futuristic formulations.” The energized form of Zack No. 1 and the vivid cherry red varnish bring this form of art to life.

Whereas until a few years ago BEAT ZODERER used collages and folds from all kinds of cut paper, wool threads, metal strips and parcel string, since 2019 he has resorted to the paintbrush and paints classically with acrylic paint, but on MDF board and not on canvas. The most recent Four Zacks and Two Zacks in our exhibition are reduced in colours and in form: narrow or broad coloured lines move without any recognisable order on a monochrome, black or white background. The overlapping of the individual strips of colour evokes spatiality. Zackiges Tondo No. 1, 2021, takes up the form of the tondo, popular in painting since the Renaissance (Rafael, Madonna Alba, Michelangelo Tondo Doni). The observer encounters an all-over work consisting of thirteen lines which meet at the mitre where they change colour. The sharp ends contradict the idea of the holistic form of the circle.

Beat Zoderer